Ultimo trabajo de este gran tecladista Kevin Moore, ojala les guste saludos. Tracklisting: 1. Axis camera station license serial.
YYY (2:11) 2. Give Up (4:04) 3. White Robe (4:55) 4. Mother’s Radio (4:15) 5. Graveyard Mountain Home (2:32) 6. Salvation (2:40) 7. Before You Started (4:24) 8.
Human Love (6:02) 9. Come In, Over (5:02) 10. Pure Laughter (2:08) 11. Andrew Was Drowning His Stepfather (2:12) 12.
Sad Sad Movie (5:41) 13. True And Lost (2:31) 14.
Again Today (4:45) Total Time: 53:22 Line-Up: - Kevin Moore / vocals, guitars, keyboards & programming Guest musicians: - Utku Unal / drums - Theron Patterson / programming (#4, #8, #14) & bass guitar - Bige Akdeniz / additional vocals & lyrics (#9 & #13) - Bob Nekrasov / monologue (#8) - Erdem Helvacioglu / additional guitar (#3) Agradecimientos a nuestro amigo de Venezuela Jorge VKEY y a mi Madre que participo en esta subida de disco conmigo:D:D.tengo una madre tecnologica;).
Listening to the projects that Kevin Moore has recorded on his own under the name Chroma Key, you'd never guess that he's a former member of the progressive metal band Dream Theater. Graveyard Mountain Home, in particular, sounds more like a twisted collaboration between Gabor Csupo and Muslimgauze than anything else you're likely to hear on the Inside Out label. The shape of the music was inspired by a strange 'social guidance' film from the 1950s that Moore discovered; he slowed it down to half speed and stripped out the soundtrack, then used its surreal action as a guiding structure for the music, which at times is funky in a glitchy, herky-jerky sort of way ('YYY,' 'Before You Started') and at others is dark and meditative ('Mother's Radio,' 'True and Lost').
There are several songs, in the relatively traditional sense, such as the gorgeous and aptly titled 'Sad Sad Movie,' and a few tracks are accompanied by found-sound voices, but the focus is always on the music and the mood. The result is a surprisingly affecting and powerful work. Highly recommended. Rick Anderson.
The shape of the music was inspired by a strange 'social guidance' film from the 1950's that Moore discovered. He slowed it down to half speed and stipped out the soundtrack, then used its surreal action as a guiding structure for the music. Film included. A moving display of synth beauty and musical experimentation yields a breathtaking album that can conform to any mood. Listening to the projects that Kevin Moore has recorded on his own under the name Chroma Key, you'd never guess that he's a former member of the progressive metal band Dream Theater. Graveyard Mountain Home, in particular, sounds more like a twisted collaboration between Gabor Csupo and Muslimgauze than anything else you're likely to hear on the Inside Out label. The shape of the music was inspired by a strange 'social guidance' film from the 1950s that Moore discovered; he slowed it down to half speed and stripped out the soundtrack, then used its surreal action as a guiding structure for the music, which at times is funky in a glitchy, herky-jerky sort of way ('YYY,' 'Before You Started') and at others is dark and meditative ('Mother's Radio,' 'True and Lost').
There are several songs, in the relatively traditional sense, such as the gorgeous and aptly titled 'Sad Sad Movie,' and a few tracks are accompanied by found-sound voices, but the focus is always on the music and the mood. The result is a surprisingly affecting and powerful work. Tracklist: CD & DVD 01. White Robe 04.
Mother's Radio 05. Graveyard Mountian Home 06. Salvation 07. Before You Started 08.
Human Love 09. Come In, Over 10.
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Pure Laughter 11. Andrew Was Drowning His Stepfather 12. Sad Sad Movie 13. True And Lost 14.
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Kevin Moore
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Listening to the projects that has recorded on his own under the name, you'd never guess that he's a former member of the progressive metal band., in particular, sounds more like a twisted collaboration between and than anything else you're likely to hear on the Inside Out label. The shape of the music was inspired by a strange 'social guidance' film from the 1950s that discovered; he slowed it down to half speed and stripped out the soundtrack, then used its surreal action as a guiding structure for the music, which at times is funky in a glitchy, herky-jerky sort of way ('YYY,' 'Before You Started') and at others is dark and meditative ('Mother's Radio,' 'True and Lost'). There are several songs, in the relatively traditional sense, such as the gorgeous and aptly titled 'Sad Sad Movie,' and a few tracks are accompanied by found-sound voices, but the focus is always on the music and the mood. The result is a surprisingly affecting and powerful work. Highly recommended.